Lydia Wood Studios
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Inspired by Chaos, Resilience, and Hope

 
 
 
 
 
 
 

Self-Assessment of Secondary Trauma, 2020

Watercolor on Aquabord

16” x 11”

Self Assessment of Secondary Trauma.jpg
 
 

Watercolor is both my activism and my resilient act. Pigment billows beyond the confines of measured strokes. Joy mingles with chaos, capturing fleeting moments. Narratives captivate me, and I find that a painting can disarm us in a way that we truly hear the lived experience of someone else's story. When I paint a portrait, the muse’s story is just as important as any reference image.

 
 
 
 

Lord Knows, 2022

Watercolor on Aquabord

22” x 30” x 2”

 
 
Lord Knows.jpg
 
 

Watercolor

Watercolor is my attempt to compartmentalize chaos. By painting on Aquabord, a clay panel, I capture precise details in my portraits contrasted with the final layers which bloom from poured paint and test the limits of my control on the painting. As a figurative realist painter, I am captivated by portraiture and the narratives of the subjects in my paintings. Artist, Amy Sherald, illustrated this sentiment beautifully on the podcast Small Doses with Amanda Seales: “It takes life to make work. If you want it to be important, if you want to be sophisticated, if you want to tell a story, whatever you want to speak to, it takes life in order to make good work. Otherwise, you might be just pushing paint around…If you want to be an artist…It’s about connecting to a narrative.”

 
 
 

“The reason I scrape each brick at a time, each one of these bricks are souls to me. With that being said, if I dedicate my time to each family that lost a kid in the Walnut Park area, in St. Louis, each one of these bricks represents a body.”

Darren Seals, Sankofa Unity Center

 
 
 
 

If Only THe Bricks Told Us Their Stories, 2022

Watercolor on Aquabord

24” x 36” x 1.5”

SAS If only the bricks could tell us their story.jpg